An eminent Roman composer, b. c. 1560; d. c. 1630. From 1575 he was for four years a boy-soprano in the Papal Choir, studying under the celebrated master Nanini. His first appointment was as choirmaster of the English College in Rome, and his next a similar one under Cardinal Aldobrandini. In 1594 he succeeded Palestrina as composer to the Papal Choir, a post created specially for Palestrina, and which ceased with Anerio's death. Several of his compositions, e.g. an "Adoramus Te, Christe" and a "Stabat Mater", for three choirs, passed for a long time as Palestrina's work. Anerio's compositions (which are very numerous) are characterized by originality and fine artistic feeling. Many were printed during the period 1585-1622. We may mention "First Book of Hymns, Canticles and Motets for eight voices" (Venice, 1596), dedicated to Pope Clement VIII, which was followed later by a second volume, "Three Books of Spiritual Madrigals for Five Voices", "Two Books of Spiritual Concerts for Four Voices". But a large proportion of them exist only in manuscript, and are preserved in various Roman libraries, especially in that of the Roman College.
KORNMÜLLER, Lex. der kirchl. Tonkunst; RIEMANN, Dict. of Music; GROVE, Dict. of Music and Musicians; NAUMANN, Geschichte der Musik.
APA citation. (1907). Felice Anerio. In The Catholic Encyclopedia. New York: Robert Appleton Company. http://www.newadvent.org/cathen/01475d.htm
MLA citation. "Felice Anerio." The Catholic Encyclopedia. Vol. 1. New York: Robert Appleton Company, 1907. <http://www.newadvent.org/cathen/01475d.htm>.
Transcription. This article was transcribed for New Advent by an anonymous volunteer. In thanksgiving for his conversion to the Catholic faith.
Ecclesiastical approbation. Nihil Obstat. March 1, 1907. Remy Lafort, S.T.D., Censor. Imprimatur. +John Cardinal Farley, Archbishop of New York.
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