Neapolitan painter; b. at Naples, 1632; d. in the same place, 12 Jan., 1705. He was esteemed the marvel of his age for the rapidity with which he covered with frescoes vast ceilings, domes and walls in Italy and Spain, and was known as Luca "Fa Presto" (make haste), as the demand for his work was so great that his father was continually urging him to greater dispatch, until at length he was able to work with extraordinary speed. He was undoubtedly the chief of the Machinisti, as the popular quick-painting decorators of Italy came to be called, and perhaps no other painter has left so many picture. He was a pupil of Ribera, and then of Pietro da Cortona, and a constant copyist of the works of Raphael. Some of his earliest paintings were for the churches of Naples, but in 1679 he was invited to Florence, and in 1692 to Madrid, where he painted the immense ceiling and staircase of the Escorial, and an enormous number of Spain to Naples, and there he spent the last three years of his life. There are sixty of his pictures in Madrid, and about half that number in Naples, while the galleries of Dresden, Munich, Paris, Vienna, Rome, works. He executed several etchings, and is believed to have also worked in pastel.
APA citation. (1909). Luca Giordano. In The Catholic Encyclopedia. New York: Robert Appleton Company. http://www.newadvent.org/cathen/06564b.htm
MLA citation. "Luca Giordano." The Catholic Encyclopedia. Vol. 6. New York: Robert Appleton Company, 1909. <http://www.newadvent.org/cathen/06564b.htm>.
Transcription. This article was transcribed for New Advent by Joseph P. Thomas.
Ecclesiastical approbation. Nihil Obstat. September 1, 1909. Remy Lafort, Censor. Imprimatur. +John M. Farley, Archbishop of New York.
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